{"id":1741,"date":"2021-12-13T08:00:14","date_gmt":"2021-12-13T08:00:14","guid":{"rendered":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/?p=1741"},"modified":"2021-12-07T16:14:38","modified_gmt":"2021-12-07T16:14:38","slug":"pioneering-international-and-interdisciplinary-research-on-the-print-revolution","status":"publish","type":"post","link":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2021\/12\/13\/pioneering-international-and-interdisciplinary-research-on-the-print-revolution\/","title":{"rendered":"Pioneering International and Interdisciplinary Research on \u201cthe Print Revolution\u201d"},"content":{"rendered":"

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Exciting news about external grant capture for Stephen Mossman, Senior Lecturer in Medieval History as well as a member of The Bodies, Emotions and Material Culture Collective! Together with Nikolaus Weichselbaumer (Mainz), Vincent Christlein (Erlangen), and Edward Potten (York), Stephen has been awarded around \u00a3650,000 across three years (2022\u20132025) by the Arts and Humanities Research Council and the Deutsche Forschungsgemeinschaft in the UK-German Funding Initiative in the Humanities competition for 2020\/21. \u2018Werck der b\u00fccher\u2019: Transitions, Experimentation, and Collaboration in Reprographic Technologies, 1440\u20131470<\/em> will redefine what is understood as the invention of printing: the single most important technological innovation of the European Middle Ages. The international research team will situate the technology of typographic printing within a wider experimental print culture in Central Europe, c. 1440\u20131470, exploring craft intersections, workshop practices, and a shared culture of exchange and innovation across media. This pioneering project will draw together expertise from various disciplines, and will be the first project to offer a holistic analysis of reprographic technology in its first European generation. The Bodies, Emotions and Material Culture Collective<\/em> congratulates Stephen and his collaborators on this amazing success!\u00a0<\/p>\n

More detailed project descriptions can be found here<\/a> (in German) and here<\/a> (in English)<\/p>\n

\u00a0<\/p>\n

Detail of the earliest extant Apocalypse blockbook <\/em>Conuersi ab ydolis p[er] predicatione[m] b[ea]ti joha[n]nis drusiana [et] ceteri (Netherlands: s.n., c. 1450\u20131452?)<\/em>.<\/em> \u00a9 The John Rylands Research Institute and Library, Special Collections 3103.<\/em><\/p>\n

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Related<\/h1>\n

Related posts:<\/h3>
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Affective Artefacts Event Announcement: Michael Peter (Abegg-Stiftung) on Late Medieval Silk Weaving<\/h2><\/div><\/div><\/a>
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The Manchester Material Culture Lab<\/h2><\/div><\/div><\/a>
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Lecture: Hannah Murphy (KCL), \u201cI had to inspect them all from head to toe\u201d: Medicine and the making ...<\/h2><\/div><\/div><\/a><\/div>
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