{"id":1955,"date":"2022-09-29T23:53:51","date_gmt":"2022-09-29T22:53:51","guid":{"rendered":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/?p=1955"},"modified":"2022-09-29T23:53:51","modified_gmt":"2022-09-29T22:53:51","slug":"the-virginia-venture-an-interview-with-misha-ewen","status":"publish","type":"post","link":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2022\/09\/29\/the-virginia-venture-an-interview-with-misha-ewen\/","title":{"rendered":"The Virginia Venture: An Interview with Misha Ewen"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; fullwidth=&#8221;on&#8221; next_background_color=&#8221;#000000&#8243; global_module=&#8221;322&#8243;][et_pb_fullwidth_menu global_parent=&#8221;322&#8243; _builder_version=&#8221;3.0.106&#8243; menu_id=&#8221;7&#8243; submenu_direction=&#8221;downwards&#8221; fullwidth_menu=&#8221;off&#8221; background_layout=&#8221;dark&#8221; module_class=&#8221;main-navigation&#8221; \/][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; fullwidth=&#8221;off&#8221; specialty=&#8221;on&#8221; prev_background_color=&#8221;#000000&#8243; next_background_color=&#8221;#1d1d1d&#8221;][et_pb_column type=&#8221;2_3&#8243; specialty_columns=&#8221;2&#8243;][et_pb_row_inner locked=&#8221;off&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;2_3&#8243;][et_pb_post_title _builder_version=&#8221;3.0.106&#8243; title=&#8221;on&#8221; meta=&#8221;on&#8221; author=&#8221;on&#8221; date=&#8221;on&#8221; categories=&#8221;on&#8221; comments=&#8221;on&#8221; featured_image=&#8221;on&#8221; featured_placement=&#8221;above&#8221; text_color=&#8221;dark&#8221; text_background=&#8221;off&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221; \/][et_pb_text _builder_version=&#8221;3.17.6&#8243; background_layout=&#8221;light&#8221; parent_locked=&#8221;off&#8221;]<\/p>\n<p><em>This interview discusses exciting new research by Misha Ewen, a longstanding former member of <\/em>The Bodies, Emotions and Material Culture Collective<em>. Misha has been the Curator for Inclusive History at Historic Royal Palaces and is just about to start a new position as Lecturer in Early Modern History at the University of Bristol. Her pathbreaking research on gender, colonialism, and trading companies has been published in <\/em><a href=\"https:\/\/www.cambridge.org\/core\/journals\/historical-journal\/article\/abs\/women-investors-and-the-virginia-company-in-the-early-seventeenth-century\/FF0ED53D1B5DFB4376D40D97EC2F07BE\">The Historical Journal<\/a><em>, <\/em><a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/1468-0424.12484\">Gender &amp; History<\/a><em>, and <\/em><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/14780038.2021.1890869\">Cultural and Social History<\/a><em>. On the occasion of her newly published monograph <\/em><a href=\"https:\/\/www.pennpress.org\/9781512822991\/the-virginia-venture\/\">The Virginia Venture: American Colonization and English Society, 1580-1660<em> (Philadelphia: University of Pennsylvania Press, 2022)<\/em><\/a><em>, we invited the author to reply to a few questions.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong><em>Stefan Han\u00df (STH):<\/em><\/strong><em> Misha, warm congratulations to the publication of <\/em>The Virginia Venture<em>. If you were to introduce your book to readers of this interview, what would you describe as the monograph\u2019s key take-aways?<\/em><\/p>\n<p><strong>Misha Ewen (ME):<\/strong> In a nutshell, the book is about how people in England encountered and engaged with colonial activity in Virginia during the late sixteenth and early seventeenth centuries. It argues that colonisation was not a singularly elite concern. Instead the colonial project responded to demands \u2018from below\u2019 and galvanised support across English society. I think this recognition is important, not only in order to understand the ways that colonisation shaped local concerns and national debates in England, but to appreciate the legacies of colonisation in Britain and the United States today.<\/p>\n<p><strong><em>Rachel Winchcombe (RW):<\/em><\/strong><em> The historiography to date has been a little dismissive of the idea that many in England were interested in American colonisation projects in the late sixteenth and seventeenth century. Your book brilliantly challenges that notion. When did you first get an inkling that there was more to this story?\u00a0<\/em><\/p>\n<p><strong>ME:<\/strong> I don\u2019t think there was one particular moment, it was a more incremental realisation sharpened by many unexpected encounters in the archive. I was coming across Virginia in court records, in parliamentary debates, and in churchwarden\u2019s accounts. Support for, as well as concerns about, colonisation in Jamestown seemed to reach into many corners of English society. But one example that took me by surprise and spurred me on, and which features in the book\u2019s conclusion, concerns a man accused of theft who told the Justices of the Peace a tale about his recent return from Virginia. It sounds unremarkable, but it struck me that his experience of colonisation was recorded even though it had no obvious relevance to his defence. It was a neat illustration of people\u2019s curiosity about American colonisation, the everyday and personal nature of their encounters with it, and the mark it has left on diverse record sets.<\/p>\n<p><strong><em>STH:<\/em><\/strong><em> This is one of many fantastic sources discussed in your book. What would you consider the most exciting historical example \u00a0that you wish to share with the readers of this interview?<\/em><\/p>\n<p><strong>ME:<\/strong> I don\u2019t know if readers will find it exciting, but out of curiosity I went to Manchester Central Library (in my hometown, which I had visited countless times before) to see whether there was anything to do with Virginia in the records. I found out that the Virginia Company lottery visited Manchester in 1620, giving local people the opportunity to chance their money (and luck) in the colonial project; in return, the company gave Manchester \u00a330 to put towards charitable purposes. Manchester has a long and complex relationship with empire which clearly did not begin with cotton and industrialisation, and I wondered whether this might have been the first example of institutional support in the city for colonisation. It\u2019s an intriguing idea.<\/p>\n<p><strong><em>Sasha Handley (SH):<\/em><\/strong><em> What does your book reveal about women\u2019s economic agency in a transnational context that might surprise your readers?<\/em><\/p>\n<p><strong>ME:<\/strong> Many readers will be familiar with the role of women in early English overseas colonisation as wives and indentured servants (who do feature in the book), but I think they will be less familiar with the women who never left England, but who pursued colonial interests and profited from it through trade and investment. Only a relatively small number of women bought shares in the Virginia Company, but I explore how many more became entangled with the colonial project through informal investment (including making charitable donations) or by their involvement in plantation, the tobacco trade, or the industries which supported colonisation\u2014everything from providing lodging to colonists in the days before their departure and supplying ships with food. Through their activities I build a picture of how English society, more broadly, was invested in colonisation.<\/p>\n<p><strong><em>RW:<\/em><\/strong><em> One real strength of your book is your use of the English archive to comment on events and projects taking place across the Atlantic. What other stories might we be able to tell about the extra-English world from these records in future? \u00a0<\/em><\/p>\n<p><strong>ME:<\/strong> I hope that scholars of the seventeenth-century Atlantic world will be inspired to mine local English archives for \u2018imperial stories\u2019 relating to other places and projects, because there is certainly untapped potential to surface everyday experiences and understandings of colonisation. During my research into parish, corporation, and quarter sessions records it was not unusual to find other spheres of English colonisation like St Kitts or Newfoundland cropping up, and it would be interesting to see what a close study of those examples might reveal about English attitudes towards colonisation, trade, and slavery in this early period. Now that I\u2019m working on Barbados, I plan to return to local archives for my research.<\/p>\n<p><strong><em>STH:<\/em><\/strong><em> What was the role of <\/em>The Bodies, Emotions and Material Culture Collective<em>, or its predecessor <\/em>Embodied Emotions<em> research group, in the making of this book?<\/em><\/p>\n<p><strong>ME:<\/strong> I rewrote most of the book during my time at Manchester, where working alongside and discussing the book with colleagues in the collective helped me to refine my thinking, especially about objects and material culture. I deploy examples in the book, including a purse, a portrait, and a church memorial tablet, to try to understand contemporary attitudes towards colonisation. I do not underestimate how much I was encouraged by colleagues and the research environment at Manchester to pursue this material.<\/p>\n<p><em>Thank you very much, Misha, and warm congratulations again! This is a marvellous and important book that charts new, exciting research territory! We wish you all the very best in Bristol.<\/em><\/p>\n<p>[\/et_pb_text][et_pb_post_nav _builder_version=&#8221;3.0.106&#8243; in_same_term=&#8221;off&#8221; show_prev=&#8221;on&#8221; show_next=&#8221;on&#8221; prev_text=&#8221;Previous&#8221; next_text=&#8221;Next&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221; \/][et_pb_comments _builder_version=&#8221;3.0.106&#8243; show_avatar=&#8221;on&#8221; show_reply=&#8221;on&#8221; show_count=&#8221;on&#8221; background_layout=&#8221;light&#8221; header_font_size_tablet=&#8221;51&#8243; header_line_height_tablet=&#8221;2&#8243; custom_button=&#8221;on&#8221; button_icon_placement=&#8221;right&#8221; button_text_color=&#8221;#ffffff&#8221; button_use_icon=&#8221;off&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221; button_text_size__hover_enabled=&#8221;off&#8221; button_text_size__hover=&#8221;null&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_one_text_size__hover=&#8221;null&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover=&#8221;null&#8221; button_text_color__hover_enabled=&#8221;off&#8221; button_text_color__hover=&#8221;null&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_one_text_color__hover=&#8221;null&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover=&#8221;null&#8221; button_border_width__hover_enabled=&#8221;off&#8221; button_border_width__hover=&#8221;null&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_one_border_width__hover=&#8221;null&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover=&#8221;null&#8221; button_border_color__hover_enabled=&#8221;off&#8221; button_border_color__hover=&#8221;null&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_one_border_color__hover=&#8221;null&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover=&#8221;null&#8221; button_border_radius__hover_enabled=&#8221;off&#8221; button_border_radius__hover=&#8221;null&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover=&#8221;null&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover=&#8221;null&#8221; button_letter_spacing__hover_enabled=&#8221;off&#8221; button_letter_spacing__hover=&#8221;null&#8221; button_one_letter_spacing__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover=&#8221;null&#8221; button_two_letter_spacing__hover_enabled=&#8221;off&#8221; button_two_letter_spacing__hover=&#8221;null&#8221; button_bg_color__hover_enabled=&#8221;off&#8221; button_bg_color__hover=&#8221;null&#8221; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_one_bg_color__hover=&#8221;null&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover=&#8221;null&#8221; \/][et_pb_text admin_label=&#8221;Related posts&#8221; _builder_version=&#8221;3.0.106&#8243; background_layout=&#8221;light&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221;]<\/p>\n<h1>Related<\/h1>\n<!-- relpost-thumb-wrapper --><div class=\"relpost-thumb-wrapper\"><!-- filter-class --><div class=\"relpost-thumb-container\"><h3>Related posts:<\/h3><div style=\"clear: both\"><\/div><div style=\"clear: both\"><\/div><!-- relpost-block-container --><div class=\"relpost-block-container relpost-block-column-layout\" style=\"--relposth-columns: 3;--relposth-columns_t: 2; --relposth-columns_m: 2\"><a href=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2026\/01\/14\/new-journal-article-on-port-labour-global-commodities-and-material-skill-development-a-study-of-the-ivory-warehouse-in-the-port-of-london-and-its-representation-c-1860-1968-2\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2026\/01\/Ivory-warehouse-1-150x150.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 150px; height: 150px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 75px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">New journal article on port labour, global commodities, and material skill development: a study of t...<\/h2><\/div><\/div><\/a><a href=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2023\/11\/25\/new-directions-in-the-history-of-the-body-holly-fletcher-in-conversation-with-ulinka-rublack\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-hidden=\"true\" role=\"img\" data-bg=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2023\/11\/111-150x150.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 150px; height: 150px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 75px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">New Directions in the History of the Body \u2013 Holly Fletcher in Conversation with Ulinka Rublack<\/h2><\/div><\/div><\/a><a href=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2023\/10\/31\/society-for-renaissance-studies-book-launch-narrating-the-dragomans-self-in-the-veneto-ottoman-balkans-c-1550-1650\/\"class=\"relpost-block-single\" ><div class=\"relpost-custom-block-single\"><div class=\"relpost-block-single-image rpt-lazyload\" aria-label=\"HanssSRS\" role=\"img\" data-bg=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2023\/10\/Hanss_SRS-150x150.jpg\" style=\"background: transparent no-repeat scroll 0% 0%; width: 150px; height: 150px; aspect-ratio: 1\/1;\"><\/div><div class=\"relpost-block-single-text\"  style=\"height: 75px;font-family: Arial;  font-size: 12px;  color: #333333;\"><h2 class=\"relpost_card_title\">Society for Renaissance Studies Book Launch: Narrating the Dragoman\u2019s Self in the Veneto-Ottoman Bal...<\/h2><\/div><\/div><\/a><\/div><!-- close relpost-block-container --><div style=\"clear: both\"><\/div><\/div><!-- close filter class --><\/div><!-- close relpost-thumb-wrapper -->\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243;][et_pb_sidebar _builder_version=&#8221;3.0.106&#8243; area=&#8221;sidebar-1&#8243; orientation=&#8221;left&#8221; show_border=&#8221;off&#8221; background_layout=&#8221;light&#8221; locked=&#8221;on&#8221; \/][\/et_pb_column][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;Connect Title&#8221; custom_padding=&#8221;0px||0px|&#8221; _builder_version=&#8221;3.0.90&#8243; background_color=&#8221;#1d1d1d&#8221; module_class=&#8221;footer-section&#8221; prev_background_color=&#8221;#ffffff&#8221; global_module=&#8221;380&#8243;][et_pb_row admin_label=&#8221;row&#8221; global_parent=&#8221;380&#8243; locked=&#8221;off&#8221; allow_player_pause=&#8221;off&#8221; parallax=&#8221;off&#8221; parallax_method=&#8221;on&#8221; parallax_1=&#8221;off&#8221; parallax_method_1=&#8221;off&#8221; parallax_2=&#8221;off&#8221; parallax_method_2=&#8221;off&#8221; parallax_3=&#8221;off&#8221; parallax_method_3=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; use_custom_gutter=&#8221;off&#8221; make_equal=&#8221;off&#8221; module_id=&#8221;footer-row&#8221; _builder_version=&#8221;3.0.89&#8243;][et_pb_column type=&#8221;1_3&#8243;][et_pb_text admin_label=&#8221;Contact Us Title&#8221; global_parent=&#8221;380&#8243; background_layout=&#8221;dark&#8221; text_text_color=&#8221;#ffffff&#8221; parent_locked=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221;]<\/p>\n<h4>Contact Us<\/h4>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Contact Us&#8221; global_parent=&#8221;380&#8243; text_text_color=&#8221;#aaaaaa&#8221; parent_locked=&#8221;off&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; module_class=&#8221;contact-us&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221;]<\/p>\n<p>+44 (0) 161 306 6000<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243;][et_pb_text admin_label=&#8221;Find Us Title&#8221; global_parent=&#8221;380&#8243; background_layout=&#8221;dark&#8221; text_text_color=&#8221;#ffffff&#8221; parent_locked=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221;]<\/p>\n<h4>Find Us<\/h4>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Address&#8221; global_parent=&#8221;380&#8243; background_layout=&#8221;dark&#8221; text_orientation=&#8221;left&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221; module_id=&#8221;address&#8221; parent_locked=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221;]<\/p>\n<p><a href=\"http:\/\/www.manchester.ac.uk\/discover\/maps\/interactive-map\/\">The University of Manchester<br \/>Oxford Rd<br \/>Manchester<br \/>M13 9PL<br \/>UK<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243;][et_pb_text admin_label=&#8221;Connect Title&#8221; global_parent=&#8221;380&#8243; background_layout=&#8221;dark&#8221; text_text_color=&#8221;#ffffff&#8221; parent_locked=&#8221;off&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_size=&#8221;initial&#8221;]<\/p>\n<h4>Connect With Us<\/h4>\n<p>[\/et_pb_text][et_pb_code admin_label=&#8221;Social Media&#8221; global_parent=&#8221;380&#8243; parent_locked=&#8221;off&#8221; _builder_version=&#8221;3.17.6&#8243;]<\/p>\n<ul class=\"inlineList footer-socialIcons\"><!-- [et_pb_line_break_holder] --><\/p>\n<li><!-- [et_pb_line_break_holder] --> <a href=\"https:\/\/www.facebook.com\/TheUniversityOfManchester\"><!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-facebook-50.png\" alt=\"Facebook page for The University of Manchester\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<p><!-- [et_pb_line_break_holder] --><\/p>\n<li><!-- [et_pb_line_break_holder] --> <a href=\"https:\/\/twitter.com\/OfficialUoM\"><!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-twitter-50.png\" alt=\"Twitter page for The University of Manchester\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<p><!-- [et_pb_line_break_holder] --><\/p>\n<li><!-- [et_pb_line_break_holder] --> <a href=\"http:\/\/www.youtube.com\/universitymanchester\"><!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-youtube-50.png\" alt=\"YouTube page for The University of Manchester\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<p><!-- [et_pb_line_break_holder] --><\/p>\n<li><!-- [et_pb_line_break_holder] --> <a href=\"https:\/\/instagram.com\/officialuom\/\"><!-- [et_pb_line_break_holder] --> <!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-instagram-50.svg\" alt=\"Instagram page for The University of Manchester\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<p><!-- [et_pb_line_break_holder] --><\/ul>\n<p>[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This interview discusses exciting new research by Misha Ewen, a longstanding former member of The Bodies, Emotions and Material Culture Collective. Misha has been the Curator for Inclusive History at Historic Royal Palaces and is just about to start a new position as Lecturer in Early Modern History at the University of Bristol. Her pathbreaking [&hellip;]<\/p>\n","protected":false},"author":2523,"featured_media":1956,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts\/1955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/users\/2523"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/comments?post=1955"}],"version-history":[{"count":1,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts\/1955\/revisions"}],"predecessor-version":[{"id":1957,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts\/1955\/revisions\/1957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/media\/1956"}],"wp:attachment":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/media?parent=1955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/categories?post=1955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/tags?post=1955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}