{"id":2019,"date":"2023-02-17T08:00:36","date_gmt":"2023-02-17T08:00:36","guid":{"rendered":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/?p=2019"},"modified":"2023-02-15T10:27:16","modified_gmt":"2023-02-15T10:27:16","slug":"new-book-by-cordelia-warr-stigmatics-and-visual-culture-in-late-medieval-and-early-modern-italy","status":"publish","type":"post","link":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2023\/02\/17\/new-book-by-cordelia-warr-stigmatics-and-visual-culture-in-late-medieval-and-early-modern-italy\/","title":{"rendered":"New Book by Cordelia Warr: Stigmatics and Visual Culture in Late Medieval and Early Modern Italy"},"content":{"rendered":"

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We celebrate the publication of Stigmatics and Visual Culture in Late Medieval and Early Modern Italy<\/em>, the new monograph of Dr Cordelia Warr.<\/p>\n

Cordelia is Senior Lecturer in Art History, University of Manchester, and an esteemed member of The Bodies, Emotions and Material Culture Collective<\/em>. She is the author of Dressing for Heaven<\/em> (2010) and has co-edited Wounds in the Middle Ages<\/em> (2013) with Anne Kirkham, Art and Architecture in Naples<\/em>, 1266-1714 (2010) and The Church of Santa Maria Donna Regina<\/em> (2004) with Janis Elliott, as well as special issues of the Bulletin of the John Rylands Library<\/em> (2018) and the Australian and New Zealand Journal of Art<\/em> (2022) with Anne Dunlop.<\/p>\n

Her new monograph has been published with Amsterdam University Press. Stigmatics and Visual Culture in Late Medieval and Early Modern Italy<\/em> places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics.<\/p>\n

Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata stimulated controversy. Related to this were issues that were deeply rooted in contemporary visual culture such as how stigmata were described and performed and whether, or how, it was legitimate to represent stigmata in visual art.<\/p>\n

Because of the contested nature of stigmata and because stigmata did not always manifest in the same form\u2014sometimes invisible, sometimes visible only periodically, sometimes miraculous, and sometimes self-inflicted\u2014they provoked complex questions and reflections relating to the nature and purpose of visual representation.<\/p>\n

Readers will find a hugely stimulating volume that connects visual and material culture studies with the history of the body and emotions. The volume is richly illustrated and can be purchased here<\/a>.<\/p>\n

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CfP Compassion and Care: Emotions and Experience in the Care of Children through History<\/h2><\/div><\/div><\/a><\/div>
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