{"id":2499,"date":"2024-06-11T15:41:14","date_gmt":"2024-06-11T14:41:14","guid":{"rendered":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/?p=2499"},"modified":"2024-06-12T15:00:56","modified_gmt":"2024-06-12T14:00:56","slug":"2499","status":"publish","type":"post","link":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/2024\/06\/11\/2499\/","title":{"rendered":"New English Historical Review Article by Dr Abigail Greenall"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; fullwidth=&#8221;on&#8221; next_background_color=&#8221;#000000&#8243; global_module=&#8221;322&#8243;][et_pb_fullwidth_menu global_parent=&#8221;322&#8243; _builder_version=&#8221;3.0.106&#8243; menu_id=&#8221;7&#8243; submenu_direction=&#8221;downwards&#8221; fullwidth_menu=&#8221;off&#8221; background_layout=&#8221;dark&#8221; module_class=&#8221;main-navigation&#8221; \/][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; fullwidth=&#8221;off&#8221; specialty=&#8221;on&#8221; prev_background_color=&#8221;#000000&#8243; next_background_color=&#8221;#1d1d1d&#8221;][et_pb_column type=&#8221;2_3&#8243; specialty_columns=&#8221;2&#8243;][et_pb_row_inner locked=&#8221;off&#8221;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;2_3&#8243;][et_pb_post_title _builder_version=&#8221;3.0.106&#8243; title=&#8221;on&#8221; meta=&#8221;on&#8221; author=&#8221;on&#8221; date=&#8221;on&#8221; categories=&#8221;on&#8221; comments=&#8221;on&#8221; featured_image=&#8221;on&#8221; featured_placement=&#8221;above&#8221; text_color=&#8221;dark&#8221; text_background=&#8221;off&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221; \/][et_pb_text _builder_version=&#8221;3.17.6&#8243; background_layout=&#8221;light&#8221; parent_locked=&#8221;off&#8221;]<\/p>\n<p><strong>\u2018In Pursuit of Equanimity: Managing Change and Adversity in Early Modern English Households, c.1570\u2013c.1670\u2019 by Dr Abigail Greenall has been now published in <em>The English Historical Review<\/em>:<\/strong><\/p>\n<p><a href=\"https:\/\/doi.org\/10.1093\/ehr\/ceae005\" target=\"_blank\" rel=\"noopener\"><strong>https:\/\/doi.org\/10.1093\/ehr\/ceae005<\/strong><\/a><\/p>\n<p>This article establishes equanimity as an important emotional ideal in the late sixteenth and seventeenth centuries. In showing how equanimity served to strengthen positive emotions and temper disruptive states, it promotes a more positive view of the era\u2019s emotional landscape. The article employs the pursuit of equanimity as an intimate analytical device for uncovering the agency of ordinary people, and thus offers historians a new perspective on momentous change and adversity in the early modern period.<\/p>\n<p>Abi charts personal experiences of adversity\u2014from physical and spiritual threats to familial disputes, uncertain patriarchal power and economic precarity\u2014alongside individual management of religious, social and political change following the English Reformations and during the Civil War. Where other scholars have examined how different social groups reactively negotiated new realities, this microhistorical study of one gentry family in the North West of England urges historians to refocus their attention on the proactive courses that people took.<\/p>\n<p>Through a detailed examination of 541 manuscript letters, domestic decorative schemes, and archaeological evidence of ritual practices of protection, the article uncovers how the Moretons of Little Moreton Hall in Cheshire managed change and mitigated disaster.<\/p>\n<p>It discusses instances where equanimity played a persistent role in motivating the family\u2019s actions and behaviours in daily life, and argues that practices designed to promote emotional harmony were crucial for preserving kinship networks and managing personal well-being, as well as gender relations within households, in early modern England.<\/p>\n<p>Congratulations to this achievement!<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2500\" src=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall.jpg\" alt=\"LittleMoretonHall\" width=\"3442\" height=\"2346\" srcset=\"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall.jpg 3442w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-300x204.jpg 300w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-768x523.jpg 768w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-1024x698.jpg 1024w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-150x102.jpg 150w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-250x170.jpg 250w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-350x239.jpg 350w, https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-content\/uploads\/sites\/344\/2024\/06\/LittleMoretonHall-1080x736.jpg 1080w\" sizes=\"(max-width: 3442px) 100vw, 3442px\" \/><\/p>\n<p><em>Image credits:<\/em><\/p>\n<p><em>Details of the plasterwork in the long gallery showing the figure of Fortune. Little Moreton Hall, Cheshire. NTPL Commissioned. Image No. 98765. \u00a9National Trust Images\/Andreas von Einsiedel.<\/em><\/p>\n<p><em>Little Moreton Hall. Wikipedia commons.<\/em><\/p>\n<p>[\/et_pb_text][et_pb_post_nav _builder_version=&#8221;3.0.106&#8243; in_same_term=&#8221;off&#8221; show_prev=&#8221;on&#8221; show_next=&#8221;on&#8221; prev_text=&#8221;Previous&#8221; next_text=&#8221;Next&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221; \/][et_pb_comments _builder_version=&#8221;3.0.106&#8243; show_avatar=&#8221;on&#8221; show_reply=&#8221;on&#8221; show_count=&#8221;on&#8221; background_layout=&#8221;light&#8221; header_font_size_tablet=&#8221;51&#8243; header_line_height_tablet=&#8221;2&#8243; custom_button=&#8221;on&#8221; button_icon_placement=&#8221;right&#8221; button_text_color=&#8221;#ffffff&#8221; button_use_icon=&#8221;off&#8221; locked=&#8221;on&#8221; parent_locked=&#8221;off&#8221; button_text_size__hover_enabled=&#8221;off&#8221; button_text_size__hover=&#8221;null&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_one_text_size__hover=&#8221;null&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; 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In showing how equanimity served to strengthen positive emotions and temper disruptive states, [&hellip;]<\/p>\n","protected":false},"author":2523,"featured_media":2501,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts\/2499","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/users\/2523"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/comments?post=2499"}],"version-history":[{"count":3,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts\/2499\/revisions"}],"predecessor-version":[{"id":2510,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/posts\/2499\/revisions\/2510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/media\/2501"}],"wp:attachment":[{"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/media?parent=2499"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/categories?post=2499"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/bodies-emotions-material-culture\/wp-json\/wp\/v2\/tags?post=2499"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}