{"id":2496,"date":"2021-03-01T15:50:45","date_gmt":"2021-03-01T15:50:45","guid":{"rendered":"https:\/\/sites.manchester.ac.uk\/carla\/?page_id=2496"},"modified":"2021-03-10T14:39:00","modified_gmt":"2021-03-10T14:39:00","slug":"brazil","status":"publish","type":"page","link":"https:\/\/sites.manchester.ac.uk\/carla\/home\/english\/our-collaborations\/brazil\/","title":{"rendered":"Brazil"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; fullwidth=&#8221;on&#8221; next_background_color=&#8221;#000000&#8243; global_module=&#8221;322&#8243;][et_pb_fullwidth_menu global_parent=&#8221;322&#8243; _builder_version=&#8221;3.0.106&#8243; menu_id=&#8221;7&#8243; submenu_direction=&#8221;downwards&#8221; fullwidth_menu=&#8221;off&#8221; background_layout=&#8221;dark&#8221; module_class=&#8221;main-navigation&#8221; \/][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; _builder_version=&#8221;3.0.74&#8243; custom_padding=&#8221;||0px|&#8221; transparent_background=&#8221;off&#8221; prev_background_color=&#8221;#000000&#8243; next_background_color=&#8221;#000000&#8243;][et_pb_row custom_padding=&#8221;||0px|&#8221; custom_margin=&#8221;||0px|&#8221; parallax_method_1=&#8221;off&#8221; module_class=&#8221;breadcrumbs-row&#8221; _builder_version=&#8221;3.0.47&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221;][et_pb_column type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Breadcrumbs (do not remove)&#8221; module_class=&#8221;breadcrumbs&#8221; _builder_version=&#8221;3.0.87&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; module_alignment=&#8221;left&#8221; custom_css_main_element=&#8221;border-bottom: 1px solid #ececed;&#8221; use_border_color=&#8221;off&#8221; border_color=&#8221;#ffffff&#8221; border_style=&#8221;solid&#8221;]<\/p>\n<span><span><a href=\"https:\/\/sites.manchester.ac.uk\/carla\/\">Cultures of Anti-racism in Latin America<\/a><\/span><\/span>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; use_custom_gutter=&#8221;on&#8221; gutter_width=&#8221;2&#8243; specialty=&#8221;on&#8221; parallax_method_1=&#8221;off&#8221; parallax_method_2=&#8221;off&#8221; _builder_version=&#8221;3.0.74&#8243; transparent_background=&#8221;off&#8221; prev_background_color=&#8221;#000000&#8243; next_background_color=&#8221;#1d1d1d&#8221;][et_pb_column type=&#8221;1_3&#8243;][et_pb_sidebar admin_label=&#8221;Left Nav Sidebar&#8221; area=&#8221;et_pb_widget_area_1&#8243; show_border=&#8221;off&#8221; module_id=&#8221;left-nav-menu&#8221; _builder_version=&#8221;3.0.74&#8243; remove_border=&#8221;on&#8221; \/][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; specialty_columns=&#8221;2&#8243;][et_pb_row_inner admin_label=&#8221;Row&#8221; _builder_version=&#8221;3.0.47&#8243;][et_pb_column_inner type=&#8221;4_4&#8243; saved_specialty_column_type=&#8221;2_3&#8243;][et_pb_text _builder_version=&#8221;3.17.6&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; module_alignment=&#8221;left&#8221; use_border_color=&#8221;off&#8221;]<\/p>\n<h1>Brazil<\/h1>\n<h2>Denilson Baniwa<\/h2>\n<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2500 alignright\" src=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson-300x200.jpg\" alt=\"Danilson Baniwa\" width=\"300\" height=\"200\" srcset=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson-300x200.jpg 300w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson-768x512.jpg 768w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson-150x100.jpg 150w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson-250x167.jpg 250w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson-350x233.jpg 350w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/denilson.jpg 800w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Denilson Baniwa was born in the village of Dar\u00ed, in Barcelos, Amazonas, in 1984. His work as an artist combines traditional and contemporary references, using icons of non-indigenous visual cultures in order to promote awareness of the struggle of indigenous peoples in various media and languages. His work was exhibited at the 22nd Sydney Biennial, at the Centro Cultural S\u00e3o Paulo (CCSP), at Ita\u00fa Cultural, Centro Cultural Banco do Brasil (CCBB), at the Arts Center of the Universidade Federal Fluminense (UFF), as well as in several other institutions. He was also one of the guest artists at Amazonian Poetics, a workshop at Brazil LAB \/ Princeton University and the National Museum \/ UFRJ held in 2019. In that same year, he was the winner of one of the most important awards in the field of visual arts in Brazil, the PIPA Online Award. In 2020, he exhibited works at the CURA (Circuito Urbano de Arte) festival, in Belo Horizonte, and at the Pinacoteca de S\u00e3o Paulo, where some of his works remain as part of the collection.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Working with the project Cultures of Anti-Racism in Latin America, Denilson has held online conversations, available on the project&#8217;s <\/span><a href=\"https:\/\/www.youtube.com\/channel\/UCf2aulENOdu3-oKIvIj-R7w\"><span style=\"font-weight: 400\">YouTube channel<\/span><\/a><span style=\"font-weight: 400\">, and participated in the recording of the short documentary <\/span><i><span style=\"font-weight: 400\">Terra fertil: V\u00e9xoa and contemporary indigenous art <\/span><\/i><span style=\"font-weight: 400\">at the Pinacoteca de S\u00e3o Paulo.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For more information about this artist, see <\/span><a href=\"https:\/\/www.behance.net\/denilsonbaniwa\"><span style=\"font-weight: 400\">https:\/\/www.behance.net\/denilsonbaniwa<\/span><\/a><\/p>\n<h2>Daiara Tukano<\/h2>\n<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2501 alignright\" src=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-200x300.jpeg\" alt=\"Daiara Tukano\" width=\"200\" height=\"300\" srcset=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-200x300.jpeg 200w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-768x1152.jpeg 768w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-683x1024.jpeg 683w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-150x225.jpeg 150w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-250x375.jpeg 250w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara-350x525.jpeg 350w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/daiara.jpeg 800w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/>Daiara Hori Figueroa Sampaio, traditionally named Duhig\u00f4, belongs to the Eremiri Huusiro Parameri clan of the Y\u00e9&#8217;p\u00e1 Mahs\u00e3 people, better known as Tukano. Born in S\u00e3o Paulo, the artist, activist, educator and communicator bases her artistic work on research into the history, culture and spirituality of her people. She has a degree in visual arts from the University of Bras\u00edlia (UnB) and a master&#8217;s degree in Human Rights, specializing in memory and truth of indigenous peoples. Her artistic activities intersect with communications, speaking out in defence of indigenous rights. She is the coordinator of R\u00e1dio Yand\u00ea, the first indigenous web radio in Brazil. She lives in Bras\u00edlia, Distrito Federal. In 2020, she was responsible for creating the largest mural made by an indigenous artist in the world. In addition, her works can be seen in the 30th Edition of the Centro Cultural S\u00e3o Paulo Exhibition Program (CCSP) and in the exhibition <\/span><i><span style=\"font-weight: 400\">V\u00e9xoa: We know<\/span><\/i><span style=\"font-weight: 400\">, at the Pinacoteca de S\u00e3o Paulo.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In collaboration with the Cultures of Anti-Racism in Latin America project, Daiara participated in the online conversations \u201cAnti-Racist Art in the UK\u201d and \u201cLatin America and Women indigenous artists: gender issues in production and recognition\u201d, both available on CARLA\u2019s <\/span><a href=\"https:\/\/www.youtube.com\/channel\/UCf2aulENOdu3-oKIvIj-R7w\"><span style=\"font-weight: 400\">YouTube channel<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For more information about this artist, see <\/span><a href=\"https:\/\/www.daiaratukano.com\/\"><span style=\"font-weight: 400\">https:\/\/www.daiaratukano.com\/<\/span><\/a><\/p>\n<h2>Naine Terena<\/h2>\n<div id=\"attachment_2502\" style=\"width: 210px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2502\" class=\"size-medium wp-image-2502\" src=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-200x300.jpeg\" alt=\"Naine Terena (by T\u00e9o Miranda)\" width=\"200\" height=\"300\" srcset=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-200x300.jpeg 200w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-768x1152.jpeg 768w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-682x1024.jpeg 682w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-150x225.jpeg 150w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-250x375.jpeg 250w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda-350x525.jpeg 350w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/naine-by-T\u00e9o-Miranda.jpeg 853w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><p id=\"caption-attachment-2502\" class=\"wp-caption-text\">Naine Terena (by T\u00e9o Miranda)<\/p><\/div>\n<p><span style=\"font-weight: 400\">Naine Terena is a researcher, teacher, artist and curator. She works with multiple artistic languages \u200b\u200band media. She holds a PhD in Education from the Pontifical Catholic University of S\u00e3o Paulo (PUC-SP) and a Master&#8217;s in Arts from the University of Bras\u00edlia (UnB). She graduated in Social Communication-Radio from the Federal University of Mato Grosso (UFMT) and developed environmental and cultural projects with Or\u00e1culo Comunica\u00e7\u00e3o, Educa\u00e7\u00e3o e Cultura. She held a postdoc at the Laboratory of Information and Communication Studies in Education at the UFMT Education Institute. In 2019, she participated in the Verbier Art Summit in Valais, Switzerland. She dedicated herself to curating the exhibition <\/span><i><span style=\"font-weight: 400\">V\u00e9xoa: We know<\/span><\/i><span style=\"font-weight: 400\">, which opened at the Pinacoteca de S\u00e3o Paulo in October 2020. Naine lives and works in Cuiab\u00e1, Mato Grosso, Brazil.<\/span><\/p>\n<p><span style=\"font-weight: 400\">With the project Cultures of Anti-Racism in Latin America, Naine developed a series of online conversations around contemporary indigenous art, spurred by the V\u00e9xoa exhibition; she also participated in the making of the short documentary <\/span><i><span style=\"font-weight: 400\">Terra fertil: V\u00e9xoa and contemporary indigenous art at the Pinacoteca de S\u00e3o Paulo<\/span><\/i><span style=\"font-weight: 400\"> (available on CARLA\u2019s <\/span><a href=\"https:\/\/www.youtube.com\/channel\/UCf2aulENOdu3-oKIvIj-R7w\"><span style=\"font-weight: 400\">YouTube channel<\/span><\/a><span style=\"font-weight: 400\">) and in meetings with the researchers involved.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For more information about this artist, see <\/span><a href=\"https:\/\/oraculocomunica.wordpress.com\/\"><span style=\"font-weight: 400\">https:\/\/oraculocomunica.wordpress.com\/<\/span><\/a><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<h2>Jaider Esbell<\/h2>\n<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2504 alignright\" src=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/jaider-300x223.png\" alt=\"Jaider Esbell\" width=\"300\" height=\"223\" srcset=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/jaider-300x223.png 300w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/jaider-150x112.png 150w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/jaider-250x186.png 250w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/jaider-350x260.png 350w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/jaider.png 598w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Jaider Esbell is a Macuxi visual artist, curator, writer, educator, activist and cultural producer; he was born in the Indigenous Territory of Raposa Serra do Sol, in Normandy, Roraima. From the time of the First Meeting of All Peoples, in 2013, Esbell assumed an important role in the movement for the consolidation of Contemporary Indigenous Art, acting in a multiple and interdisciplinary way. Bringing together painting, writing, drawing, installation and performance, his work interweaves Indigenous cosmologies, critique of hegemonic culture and socioenvironmental concerns, moving sometimes into the poetic sphere, and sometimes to a more clearly political and activist position. In his first literary work, <\/span><i><span style=\"font-weight: 400\">Terreiro de Makunaima \u2013 mitos, lendas e est\u00f3rias em viv\u00eancias <\/span><\/i><span style=\"font-weight: 400\">(<\/span><i><span style=\"font-weight: 400\">Terreiro de Makunaima &#8211; myths, legends and stories in lived experience<\/span><\/i><span style=\"font-weight: 400\">, 2012), Esbell identifies himself as the grandson of Makunaima and defends the taking up of this figure by Indigenous peoples &#8211; in Macuxi culture, he is one of the sons of the sun. In 2016, he was the winner of the Pipa Prize for Contemporary Art. In 2020, he created a work-installation called <\/span><i><span style=\"font-weight: 400\">Entidades para CURA Circuito Urbano de Arte<\/span><\/i><span style=\"font-weight: 400\">, in Belo Horizonte, and his works were exhibited at the 34th Bienal de S\u00e3o Paulo and at the Pinacoteca de S\u00e3o Paulo. He lives in Boa Vista and has maintained the Jaider Esbell Gallery of Contemporary Indigenous Art since 2013. In February 2020, he opened his solo exhibition <\/span><i><span style=\"font-weight: 400\">Presentation: Ruku<\/span><\/i><span style=\"font-weight: 400\"> at the Galeria Millan, in S\u00e3o Paulo.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For the Cultures of Anti-Racism in Latin America project, Jaider made a series of video recordings presenting his work and his gallery (available on CARLA\u2019s <\/span><a href=\"https:\/\/www.youtube.com\/channel\/UCf2aulENOdu3-oKIvIj-R7w\"><span style=\"font-weight: 400\">YouTube channel<\/span><\/a><span style=\"font-weight: 400\">), in addition to participating in meetings with the researchers involved.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For more information about this artist, see <\/span><a href=\"http:\/\/jaideresbell.com.br\/\"><span style=\"font-weight: 400\">http:\/\/jaideresbell.com.br\/<\/span><\/a><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<h2>Kunumi MC<\/h2>\n<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2503 alignright\" src=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/kunumi-300x300.jpg\" alt=\"Kunumi MC\" width=\"300\" height=\"300\" srcset=\"https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/kunumi-300x300.jpg 300w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/kunumi-150x150.jpg 150w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/kunumi-250x250.jpg 250w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/kunumi-350x350.jpg 350w, https:\/\/sites.manchester.ac.uk\/carla\/wp-content\/uploads\/sites\/231\/2021\/03\/kunumi.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>Kunumi MC is a Mby\u00e1-Guarani rapper and writer who lives in Aldeia Krukutu, Parelheiros region, in the south zone of S\u00e3o Paulo. He became known after raising the banner with the words &#8220;Demarca\u00e7\u00e3o j\u00e1&#8221; (Land demarcation now!) at the opening of the 2014 World Cup. Kunumi is 19 years old and has already released two albums: the debut EP, <\/span><i><span style=\"font-weight: 400\">My Blood is Red <\/span><\/i><span style=\"font-weight: 400\">(2017), and the album <\/span><i><span style=\"font-weight: 400\">Todo Dia \u00c9 Dia de \u00cdndio<\/span><\/i><span style=\"font-weight: 400\"> (Every day is the Day of the Indian, 2018). In addition to being a rapper, he is also a writer and has two published books &#8211; one with his brother, Tup\u00e3 Mirin, called <\/span><i><span style=\"font-weight: 400\">Contos dos Curumins Guaranis<\/span><\/i><span style=\"font-weight: 400\">, and another that he wrote alone, <\/span><i><span style=\"font-weight: 400\">Kunumi Guarani<\/span><\/i><span style=\"font-weight: 400\">. Tup\u00e3 accompanies Kunumi on stage as DJ Tupan and together they present the strength of RAP Nativo, a new current of Hip Hop, which bases musical creation on native Indigenous views of their own culture &#8211; in his case, the Mby\u00e1-Guarani people. As for his musical influences, Kunumi MC points to other native indigenous artists, such as the groups Br\u00f4 MC&#8217;s and Oz Guarani, Djuena Tikuna and Ib\u00e3 Huni Kuin, in addition to classic names from RAP, such as Racionais MCs and Criolo, with whom he has also recorded the track \u201cDemarca\u00e7\u00e3o J\u00e1 &#8211; Terra Ar Mar\u201d (Land demarcation now &#8211; Land Air Sea). So far, Kunumi has also released three other singles: \u201cXondaro Ka\u00b4aguy Regu\u00e1\u201d, \u201cMoradia de Deus\u201d and \u201cFor\u00e7a de Tup\u00e3\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The artist stars in the documentary <\/span><i><span style=\"font-weight: 400\">My Blood is Red<\/span><\/i><span style=\"font-weight: 400\">, produced by the British company, Needs Must Film. The documentary, recorded in 2016, took the artist to several Indigenous villages across Brazil to get to know the reality of different peoples up close. One of these meetings was with the leader S\u00f4nia Guajajara. During this trip, he witnessed the violence practised by ranchers, loggers, gold miners and politicians against Indigenous people. At the same time, Kunumi met Criolo, one of the most important rappers in the country. Kunumi was also featured on the website of the <\/span><a href=\"https:\/\/whitefeatherfoundation.com\/news\/brazilian-rapper-kunumi-mc-fights-for-indigenous-rights-through-music-and-film\/\"><span style=\"font-weight: 400\">White Feather Foundation<\/span><\/a><span style=\"font-weight: 400\">, Julian Lennon&#8217;s organisation, which supports Indigenous communities around the world. In addition, on December 10, 2020, the artist represented Brazil &#8211; alongside Daniela Mercury &#8211; at the event to celebrate Human Rights Day, promoted by the UN.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For Cultures of Anti-Racism in Latin America, Kunumi recorded a statement, available on the project&#8217;s <\/span><a href=\"https:\/\/www.youtube.com\/channel\/UCf2aulENOdu3-oKIvIj-R7w\"><span style=\"font-weight: 400\">YouTube channel<\/span><\/a><span style=\"font-weight: 400\">. He is also developing a series of online conversations with other Guarani rappers, and producing a single with Kelvin Mbarete (Br\u00f4 Mc&#8217;s) and a video clip. alongside artist Ava Rocha, both commissioned for the project\u2019s online exhibition.<\/span><\/p>\n<p><span style=\"font-weight: 400\">For more information about this artist, see <\/span><a href=\"https:\/\/bit.ly\/MyBloodIsRedTrailer\"><span style=\"font-weight: 400\">https:\/\/bit.ly\/MyBloodIsRedTrailer<\/span><\/a><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section bb_built=&#8221;1&#8243; admin_label=&#8221;Connect Title&#8221; module_class=&#8221;footer-section&#8221; _builder_version=&#8221;3.0.90&#8243; background_color=&#8221;#1d1d1d&#8221; custom_padding=&#8221;0px||0px|&#8221; prev_background_color=&#8221;#ffffff&#8221; global_module=&#8221;380&#8243;][et_pb_row admin_label=&#8221;row&#8221; global_parent=&#8221;380&#8243; 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global_parent=&#8221;380&#8243; _builder_version=&#8221;3.0.74&#8243; text_text_color=&#8221;#ffffff&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; background_layout=&#8221;dark&#8221;]<\/p>\n<h4>Connect With Us<\/h4>\n<p>[\/et_pb_text][et_pb_code admin_label=&#8221;Social Media&#8221; global_parent=&#8221;380&#8243; _builder_version=&#8221;3.17.6&#8243;]<\/p>\n<ul class=\"inlineList footer-socialIcons\"><!-- [et_pb_line_break_holder] --><\/ul>\n<p><!-- [et_pb_line_break_holder] --><\/p>\n<ul>\n<li><!-- [et_pb_line_break_holder] --> <a href=\"https:\/\/www.facebook.com\/CARLAUoM\/\"><!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-facebook-50.png\" alt=\"Facebook page for The Cultures of Anti-Racism in Latin America Project\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<\/ul>\n<p><!-- [et_pb_line_break_holder] --><pee><!-- [et_pb_line_break_holder] --><\/pee>                                                                                                                                                                                    <!-- [et_pb_line_break_holder] --><\/p>\n<ul>\n<li><!-- [et_pb_line_break_holder] --> <a href=\"https:\/\/twitter.com\/CulturesAnti\"><!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-twitter-50.png\" alt=\"Twitter page for The The Cultures of Anti-Racism in Latin America Project\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<\/ul>\n<p><!-- [et_pb_line_break_holder] --><pee><!-- [et_pb_line_break_holder] --><\/pee>\n<ul>\n<li><!-- [et_pb_line_break_holder] --><a href=\"https:\/\/www.youtube.com\/channel\/UCf2aulENOdu3-oKIvIj-R7w?view_as=subscriber\"><!-- [et_pb_line_break_holder] --> <img loading=\"lazy\" decoding=\"async\" src=\"\/\/assets.manchester.ac.uk\/phase1\/templates\/images\/icon-youtube-50.png\" alt=\"YouTube page for The Cultures of Anti-Racism in Latin America Project\" width=\"40\" height=\"40\" \/><!-- [et_pb_line_break_holder] --> <\/a><!-- [et_pb_line_break_holder] --><\/li>\n<\/ul>\n<p><!-- [et_pb_line_break_holder] -->[\/et_pb_code][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p><span><span><a href=\"https:\/\/sites.manchester.ac.uk\/carla\/\">Cultures of Anti-racism in Latin America<\/a><\/span><\/span> BrazilDenilson BaniwaDenilson Baniwa was born in the village of Dar\u00ed, in Barcelos, Amazonas, in 1984. His work as an artist combines traditional and contemporary references, using icons of non-indigenous visual cultures in order to promote awareness of the struggle of indigenous peoples in various media and languages. His work was exhibited at the 22nd [&hellip;]<\/p>\n","protected":false},"author":2773,"featured_media":0,"parent":2480,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_exactmetrics_skip_tracking":false,"footnotes":""},"class_list":["post-2496","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/pages\/2496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/users\/2773"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/comments?post=2496"}],"version-history":[{"count":8,"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/pages\/2496\/revisions"}],"predecessor-version":[{"id":2633,"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/pages\/2496\/revisions\/2633"}],"up":[{"embeddable":true,"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/pages\/2480"}],"wp:attachment":[{"href":"https:\/\/sites.manchester.ac.uk\/carla\/wp-json\/wp\/v2\/media?parent=2496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}