{"id":599,"date":"2018-11-12T12:38:56","date_gmt":"2018-11-12T12:38:56","guid":{"rendered":"https:\/\/livesofletters.wordpress.com\/?p=599"},"modified":"2019-10-02T16:09:18","modified_gmt":"2019-10-02T15:09:18","slug":"seminar-literary-letters-5-december-2018","status":"publish","type":"post","link":"https:\/\/sites.manchester.ac.uk\/lives-of-letters\/2018\/11\/12\/seminar-literary-letters-5-december-2018\/","title":{"rendered":"Seminar: Literary letters, 5 December 2018"},"content":{"rendered":"

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Please join us for our second seminar of the semester, featuring two twenty-minute presentations and discussion.<\/p>\n

Wednesday 5 December, 3pm – 4.30pm\u00a0<\/strong><\/h3>\n

Samuel Alexander Building (University of Manchester, Oxford Road Campus), A202<\/p>\n

Lucy Burns (English, American Studies, and Creative Writing, Manchester): <\/strong>\u2018Charles Olson and Henry Murray: The poet and the personologist\u2019<\/strong><\/p>\n

This paper explores the unpublished correspondence between the American poet, Charles Olson, and the Harvard personality psychologist, Henry Murray. Spanning Olson\u2019s transformation from graduate student, to poet, to rector of Black Mountain College, the Olson-Murray correspondence provides an insight into the formation of Olson\u2019s poetics and his 1950 \u201cProjective Verse\u201d essay, which I suggest was influenced by Murray\u2019s theory of personality formation and his projective psychological test, the Thematic Apperception Test. Examining the 1952 dispute that effectively ended their twenty-year correspondence, I ask what the correspondence can tell us about Olson\u2019s sense of psychology as methodology, and what his attempts to distinguish between the role of the poet and the role of the psychologist mean for Olson\u2019s poetics.<\/p>\n

Professor Hugh Haughton (York): <\/strong>\u2018Possum and Basilisk: Disguise and revelation in modernist letters\u2019<\/strong><\/p>\n

My paper will address life-writing and letters among the modernists, focusing on the name-play and game-play in the letters of two of the figureheads of American modernist poetry: T.S. Eliot and Marianne Moore (with two others, Ezra Pound and H.D., lurking in the background). Though if we think about poetry and comedy, these writers might not figure at the top of our list, comic play was important to them. My paper will explore what the playfulness of their letters might tell us about the play of language in their poetry, as well as their attitudes towards personality and impersonality, voice and audience, revelation and disguise. Focusing on the self-shaping but also shape-shifting of their letters, I want to discuss the relationship between poetic and biographical identity in two of the great shape-changers of modern poetry.<\/p>\n

For more information, please contact Dr Florence Impens (florence.impens@manchester.ac.uk<\/a>).<\/p>\n

\u00a0<\/p>\n

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Related<\/h1>\n

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Workshop: READing and Transkribing handwritten documents - 24 January 2019<\/h2><\/div><\/div><\/a><\/div>
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