Microscopic Records:
The New Interdisciplinarity of Early Modern Studies, c. 1400–1800
29 Sept – 1 Oct 2020
Tuesday, 29 Sept 2020
9.00 Welcome
9.15 What are Microscopic Records?
Stefan Hanß (The University of Manchester)
10.00 Masterclass I: Multispectral Imaging
Hannah Lilley (University of Birmingham)
Richard Guest (University of Kent)
Tony Richards (The John Rylands Library, The University of Manchester)
11.00 Coffee break
11.30 Masterclass II: The Scientific Analysis of Illuminated Manuscripts
and Early Modern Miniatures
Paola Ricciardi (The Fitzwilliam Museum, Cambridge)
12.15 Masterclass III: Scanning Electron Microscopy of Textile Fibres
Margarita Gleba (Ludwig Maximilian University Munich/
University College London)
13.00 Lunch break
14.00 Fibres from Under the Sea:
Microscopic Records of Sailcloth from British Early Modern Shipwrecks
Margarita Gleba (Ludwig Maximilian University Munich/
University College London)
14.30 Transforming the Great Bible
Cross-Disciplinary Analysis of a Presentation Copy
Eyal Poleg (Queen Mary University London)
Paola Ricciardi (The Fitzwilliam Museum, Cambridge)
15.00 The Hand and the Eye:
The Microscopic Study of Early Modern European Rapier Blades
Marc Gener-Moret (The University of Cambridge)
15.30 Tea break
16.30 The Interspecies Frontier and Microscopic Records
Sujit Sivasundaram (The University of Cambridge)
17.00 Keynote I: Science and the Materiality of Microscopic Records
Timothy J. LeCain (Montana State University)
Wednesday, 30 Sept 2020
11.00 From Renaissance Shadows to Baroque Refractions
Raz Chen-Morris (The Hebrew University of Jerusalem)
11.30 Lines of Sight: Visual Language in the Microscopic Images of
Nehemiah Grew and Marcello Malpighi
Pamela Mackenzie (University of British Columbia, Bibliotheca Hertziana/
Max Planck Institute for Art History Rome)
12.00 Between Superficial and In-Depth Observation:
Early Modern Microscopic Drawings of Naturalia
Florike Egmond (University of Leiden/ Rome)
12.30 Lunch break
13.30 Doublets in Three-Dimensions:
The Structure and Geometry of Renaissance Clothing
Sophie Pitman (Aalto University)
14.00 Masterclass IV: 3D Animation and Reconstruction of Early Modern Textiles
Sophie Pitman (Aalto University)
Maarit Kalmakurki (Aalto University)
15.00 Masterclass V: Photogrammetry
Luca Scholz (The University of Manchester)
15.45 Tea break
16.00 Masterclass VI: Remaking
Pamela H. Smith (Columbia University)
Tianna H. Uchacz (Texas A&M University)
Tillmann Taape (Columbia University/ The Huntington)
17.00 Keynote II: Making and Knowing in Sixteenth-Century Europe
Pamela H. Smith (Columbia University)
Thursday, 1 Oct 2020
9.00 Masterclass VII: Archaeometallurgy, Alchemy and the History of Science
Umberto Veronesi (University College London)
Michael Charlton (University College London)
9.45 Masterclass VIII: Proteomics
Sam Presslee (University of York)
10.30 Coffee break
11.00 Masterclass IX: Organic Residue Analysis
Oliver Craig (University of York)
Jessica Hendy (University of York)
11.45 Masterclass X: Archaeobotany
Cynthia Larbey (The University of Cambridge)
12.15 Lunch break
13.30 Material Creativity in the Dutch Colonial World:
Imaging and Imagining Early Modern Feather Fans
Stefan Hanß (The University of Manchester)
14.00 Microscopic Makers, Body and Labour in Early Modern Europe
Ulinka Rublack (The University of Cambridge)
14.30 Hot Possets and the Small-Scale Materialities of Healthcare
in Early Modern English Kitchens
Sasha Handley (The University of Manchester)
15.00 Tea break
15.15 Final Discussion and Reflections on the Edited Volume