Wednesday 29 July 2020: an on-line conversation among Black and Indigenous artists and creative practitioners who are staking out new territory in the art world in Latin America, challenging art museums, cultural institutions, theatres and publishers in relation to questions of racism and racial difference.
By Ashanti Dinah (Activist, Poet, Teacher, Researcher)
Alongside the social definition of black people as “criminal, immoral and dirty”, I, like other women in Our America, was educated in a patriarchal, authoritarian, classist, sexist and racist society.
By Ashanti Dinah (Activist, Poet, Teacher, Researcher)
I believe that literary criticism with Hispanic roots has to change the traditional theoretical and methodological tools used for the textual and discursive analysis of our cultural productions.
Por Ashanti Dinah (Activista, Poeta, Maestra, Investigadora)
Considero que la crítica literaria de herencia hispánica tiene que cambiar sus herramientas teóricas y metodológicas tradicionales usadas para el análisis textual y discursivo de nuestras producciones culturales.
Por Ashanti Dinah (Activista, Poeta, Maestra, Investigadora)
Junto con la definición social de que las personas negras “son criminales, inmorales y sucias”, como cualquier mujer negra de Nuestra América fui educada en una sociedad patriarcal, autoritaria, clasista, sexista, racista.
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