La represión de la protesta social en Colombia
COMUNICADO A LA OPINIÓN PÚBLICA sobre La represión de la protesta social en Colombia
Repression of Social Protest in Colombia
PUBLIC COMMUNIQUÉ on Repression of Social Protest in Colombia
The microsociology of racism in Buenos Aires
Collaborative work between the film producer and director Guido Simonetti and the actor director Fabián Benitez, who coordinates the collective “Actores de Villa,” generates some unusual images, for example in the short film, Acoua (2019). The film describes a job interview where racialized class differences are embodied in the work of the actors and with camera-work that captures minimal interactions that I analyze as “microaggressions”.
Microsociología del racismo en Buenos Aires en la mirada cinematográfica
El trabajo en conjunto entre el productor y realizador cinematográfico Guido Simonetti y el director de actores Fabián Benitez, quien coordina el colectivo “Actores de Villa,” es generador de imágenes poco usuales, que se materializan en el corto Acoua (2019). El film describe una entrevista laboral en donde las diferencias racializadas de clase se corporizan a partir del trabajo de los actores y una cámara que capta interacciones mínimas que analizo como “microagresiones”.
Anti-racist art in the UK and Latin America: A conversation event
We will be holding an on-line conversation between Black and Indigenous artists based in Latin America and in the United Kingdom who have been staking out new territory in the art world, widening the discussion about questions of racism and racial difference in the domain of art and culture.
Sankofa’s Afro Dance: Another Form of Anti-Racist Writing?
Writing has certain uses and effects that have been widely discussed. Witnessing, regulating, preserving memory, etc., are some of them. However, it is curious that little attention has been paid to the passage between writing and other registers of inscription, such as the body,
La danza afro de Sankofa: ¿otra escritura anti-racista?
La escritura tiene unos usos y alcances que ya han sido abordados. Testimoniar, reglamentar, preservar la memoria, etc., son algunos de ellos. Sin embargo, resulta curioso que sea poca la atención que ha merecido el paso entre escritura y otros registros de inscripción, como el cuerpo, por ejemplo.
Does the idea of “anti-racism” work in Latin America?
At a recent meeting of CARLA researchers, Carlos Correa, the researcher working (virtually) in Colombia recounted a conversation he had recently had with a Black actor – let’s call him Juan – who also participates in various cultural and solidarity activities to support marginal neighbourhoods. Juan vigorously contested the use of the term “anti-racism” in the CARLA project for three reasons.
Más allá de la visibilización: Teatro en Sepia
Teatro en Sepia (TES): La Compañía teatral Teatro en Sepia, fue creada en el 2010, por la directora y actriz Alejandra Egido. Trabaja desde las artes escénicas en pos de quebrar la histórica indiferencia y olvido de la presencia de los descendientes de esclavos en la Argentina, y de los afrodescendientes provenientes de migraciones pasadas o contemporáneas que habitan este territorio.
“Véxoa: We Know” and Indigenous Artists in Brazilian Art
Photograph by Edgar Corrêa Kanaykô, which will be shown at Véxoa: We Know, at Pinacoteca de São Paulo By Naine Terena [1] In the many conversations we have had in preparation for the exhibition Véxoa: We Know, which is due to open soon at Pinacoteca de São Paulo [2],...
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